The buildings are tired. The paint looks like it gave up.
Laundry hangs from windows like flags of endurance.
Pedro leads you up stairs that smell like damp and old cooking oil.
Ana Clara stays glued to his side, eyes darting.
You keep your face blank, but inside you feel something heavy settling: you’ve made deals worth millions that didn’t make your heart pound like this.
Pedro stops at a door with peeling numbers.
He knocks twice, then once more, a pattern practiced.
No answer.
He pushes the door open, and the air inside hits you, thick with fever heat and stale worry.
A small room. One mattress. A bucket in the corner. A table with a cracked mug.
On the mattress lies Mariana.
She’s too pale, lips dry, hair stuck to her forehead.
Her breathing is shallow, fast, like her body is sprinting in place.
When you step closer, you see the rash on her neck and your blood turns cold.
Nando mutters, “Jesus.”
Pedro’s voice breaks. “Mari?”
Mariana’s eyes flutter, unfocused.
She tries to sit up and fails.
“Don’t move,” you say automatically, and then you realize you’re giving orders again.
But this time the order has love inside it.
You call for a doctor and an ambulance, and Pedro stiffens.
“No, no ambulance,” he pleads. “They’ll ask questions. They’ll take us.”
You kneel, ignoring how ridiculous your suit looks on their cracked floor.
You make your voice firm, but not cruel.
“Listen to me,” you say. “She might be septic. That means infection in her blood. She could die if we wait.”
Pedro’s face goes white.
Ana Clara lets out a small sound, like a wounded bird.
You hold Pedro’s gaze.
“I will handle the questions,” you say. “I promise you, no one is taking you away today. Not while I’m breathing.”
The word promise hangs there, dangerous, because you’ve learned promises are expensive.
But Pedro nods anyway, because what else can a child do with fear except gamble?
The ambulance arrives, and everything moves fast.
Paramedics lift Mariana, hook her to monitors, speak in clipped terms that sound like a language of urgency.
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